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AÂ lot of the stuff that IÂ needed to control came through the Juno and aÂ [Yamaha] DX7, but then they played the Waves together and that's where the magic seemed to come from. Grid. In the foreground is the SSL Eâseries console and, behind the glass doors at the back, the Studer tape recorders used on 'Take On Me'. I know they originally used a PPG Wave but it looks like they can get a similar sound out of the Waldorf Q in this Video. Take on Me Melody with a Passive Buzzer A-ha! Title. In fact, as soon as IÂ put up the mic and started pottering around IÂ knew IÂ wasn't going to have aÂ problem getting aÂ good sound on his voice. "We learned the massive difference between aÂ [record] company that was completely together and had aÂ focus and aÂ company where that was not the case,â singer Morten Harket commented in aÂ 2009 TV interview. 29th July 2011 #2. "Take on Me" Sheet Music a-ha, Brooklyn Duo, Kelly Valleau and 19 more. 322 notes. Originally, another track from the Hunting High & Low album, 'Train Of Thought', had been designated to receive the rotoscope treatment. The live room at RG Jones from the 1985 brochure. It needs to be fat, but slowly beating. In this instance, he just sang through 'Take On Me' about four times, Alan and IÂ told all three boys to take aÂ break while we pieced the whole thing together, and we then got Morten back in to drop in aÂ few small parts. It really is aÂ wonderful record...âÂ Â. IÂ remember them in the control room playing their [PPG] Wave keyboards and it was fantastic hearing them play at the same time. "Thanks to knowing an Australian producer called Dave Mackay â who worked with Cliff, the New Seekers and Bonnie Tyler â we ended up doing recording sessions as aÂ rhythm unit,â says Tarney, whose own credits as aÂ songwriter and producer include chart successes for Cliff Richard, Leo Sayer and David Cassidy, as well as seven top 10 singles with Aâha, for whom he produced the first three albums. By now, 'Lesson One' was titled 'Take On Me'. The views expressed are those of the contributors and not necessarily those of the publishers. Its ingredients were good â nothing was really wrong, other than it just didn't quite sound like aÂ finished record. For the backing vocals, IÂ sang with all three guys into the same mic, and all in all we spent maybe aÂ day recording the song and then another day mixing it. This is somewhat ironic in light of Neill King's aforementioned statement that, since the Linn was already outdated, he and the band had opted to use the Synclavier. Anyone know what synth is used on this tune by a-ha. Time was also aÂ factor with the sessions for 'The Sun Always Shines On TV', Aâha's followâup single to 'Take On Me' which would top the UK chart, en route to selling over five million copies worldwide. Electronic Music Instruments and Electronic Music Production. Share Reply Quote. What is a "hybrid" audio interface anyway? You could get different quality chips for the Linn, and Alan would sometimes lift the lid, pull out the chips and put in some better ones that he could afford to buy. They were so energetic. Try a Free Trial to gain access to thousands of video sections! You may login with either your assigned username or your e-mail address. But in this case, because 'Take On Me' was relatively lightweight, all of the instruments were DI'd, and then we had aÂ few effects of various kinds to go through, whether these were produced by my outboard gear or Alan's. Most recent revision: 6/30/17 Take on Me by a-ha. 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